Formed by composer / pianist Andrew Durkin in the spring of 2000, the Industrial Jazz Group has frequently been accused of confounding innocent listeners. And no wonder: in addition to its perplexing name (the group could never be confused with, say, Nine Inch Nails), the IJG seems to change shape—aesthetically and physically—every year or so. Sure the music is always fun (and it should here be noted that many of the group’s fans aren’t exactly jazz fans per se). But can’t these guys keep a consistent stylistic vibe together for more than one record?